Growing up on the Nipissing First Nation reserve in Northern Ontario, Christian Allaire wanted to work in the fashion industry, a future that seemed like a remote, and unlikely, dream. He was first introduced to style and design through his culture's traditional Ojibwe powwow regalia--ribbon skirts, beaded belts, elaborate headdresses. But as a teenager, he became transfixed by the high-fashion designs and runway shows that he saw on Fashion Television and in the pages of Vogue. His unwavering interest in fashion led him to complete a journalism degree so he could pursue his goal of becoming a full-time fashion writer. After landing his first big magazine job in New York City, Allaire found himself working at the epicentre of the international fashion industry. His dream had come true. Yet he soon realized the fashion world--and his place in it--wasn't always quite as glamorous as he imagined it would be. From grinding as an unpaid intern, to becoming a glitzy (but overworked) fashion editor, Allaire writes with feeling about the struggle to find his place--and community--in the highly exclusive world of fashion. And he recounts, with great candour, the difficulty of balancing his ambitions with the often-inaccurate perceptions--including his own--of his culture's place in the realm of fashion.
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